I have returned from the desert, and I come bearing many exciting images.  The 10,000 square mile area of Texas terrain defined as Presidio and Brewster counties is probably some of the most forbidding, yet spectacular landscape in the United States.  I’m already plotting and scheming my next adventure, having only been removed from the area for one day.

The image above was captured within Big Bend National Park (Brewster county) on Sunday afternoon.  An atypical storm front surprised the region and delivered temperatures 40 degrees cooler than the previous day in addition to some much-needed precipitation.  This view is from an entanglement of prickly pear cacti just north of Dugout Wells looking southwest towards Nugent Mountain.  The front was in the process of consuming the Chisos Mountains in the background, which typically dwarf the much smaller Nugent Mountain.

Since the Presidio-Brewster area is truly unique, I have decided to start a collection entitled The Presidio-Brewster Editions.  This reserve will include a variety of images from the vast expanses of Big Bend NP to the eclectic streets of Marfa.  Besides, cool images need a cool name, right?!  

To view several more of the images, jump over to my Flickr page in the next couple days (there are no images available as of this posting).  My ultimate goal is to have all the current editions on display via the Lightsmith Imaging webpage.  Please enjoy!  And as usual, critiques are welcomed. 

 

Here’s where I’ll be for the next five days.  Hopefully I’ll come back with some sweet images!

I figured it was only fitting for me to start off my first post in a long time with an image of a camera from long ago.  It’s been so long that I wouldn’t be surprised if this camera was on the cover of the latest issue of Popular Photography the last time I posted here.  I greatly apologize for my absence…it’s been a crazy few weeks with a lack of inspiration sprinkled in for good measure.

This is actually a functioning camera…not just a prop.  It’s a Yashica Mat-124 manufactured in the 1960’s, that I purchased a few years ago.  It was a great camera manufactured in Japan as a poor-man’s Rolleiflex.  I’ve shot exactly one roll of 120 B&W film with it, only to find out the shutter needs some work (I think the spring is stretched out a bit).  It’s an absolutely wonderful camera to work with.  The viewfinder is huge and bright, thanks to the f/2.8 viewing lens and ground glass.  To be exact, it measures 5.6cm x 5.6cm (also the size of each exposed frame), which dwarfs all DSLR viewfinders (however, most new DSLRs have ‘live view’ modes, which use the large and increasingly higher resolution LCDs as viewfinders).  Since it’s a Twin Lens Reflex (TLR) camera it uses one lens for the viewfinder (mentioned above) and another for exposing the film.  The main lens is a relatively fast 80mm f/3.5 Yashinon lens, which provides roughly the equivalent view of a 50mm lens on a 35mm camera (or full-frame DSLR) or a 30mm lens on an APS-C sensor DSLR, all of which are considered ‘normal’ lenses.  It’s also built like a tank, with a mostly metal construction.

I hope to get it repaired in the future and shoot film from time to time.  It produces some really interesting images with it’s square format (I’ve found myself really liking square crops of my digital images as well).  This camera and film cameras in general tend to require a much more deliberate approach when capturing images.  Since the number of exposures with film is limited, it requires more attention to composition, exposure, and focus.  I find this tends to make us better photographers.  One of the few downsides to digital is the fact that we can snap shots incessantly until we get it ‘right’.  Pretend you’re using a film camera from time to time to remember what it was like to relax and focus on getting it ‘right’ the first time.  I think all of our images will benefit in the long run!

Light Paint


Light Paint 2


Light Paint 3


I experimented with impressionistic imaging some more this morning, and I really like what I captured. I think these look much better than my first attempts a few weeks ago. Some of this has to do with the time of day. This was taken at roughly 9:00am, with much more sunlight than my first attempts. I also moved the camera only vertically during the exposures (0.5 – 2 seconds).
Moon



Last night my wife and I had the privilege of viewing a great documentary film called In the Shadow of the Moon. It takes you on a journey through the highs and lows of the race to the moon, much like any other manned-spaceflight documentary; however, this journey is narrated completely by the actual men who took those first steps across wide open lunar vistas.

Other than being a great documentary, the one thing that remains with me the most is the completely unique perspective each of these men have on the fragile marble upon which we live. Stepping back over two hundred thousand miles away from our planet really allows one to capture the ‘big picture’. Political and physical boundaries disintegrated, and for once the entire planet as a whole (humankind) could be observed (in low earth orbit, only a small portion of the earth’s curvature is visible). These men are the only human beings with such a perspective, and they all came back from their expeditions changed, enlightened. Many of them no longer deny the reality of a creator, someone way bigger than us and our world, because of the overwhelming evidence they were witness to for three days to the moon and three days back home. What a wonderful gift we’ve been given!

Since I’m not currently in possession of my camera (see previous post), the image above was not taken last night. However, I did want to share it anyway. It’s not the best shot of the moon, since it was taken from the middle of the urban jungle with all the wonderful street lamps helping out (sarcasm warning), but it does effectively allow me to stare at the lunar landscape that we visited nearly forty years ago. I think this image has a similar effect as seeing the earth from so far away (this was approximately the perspective the lunar astronauts had of the earth). I can’t accept the idea that this just haphazardly formed in a perfect orbit around our world, controlling the tides such that our coastal cities don’t drown under the ocean’s current (among many other things affected by the moon’s gravitational effect on earth). To stare at the moon (or any other heavenly body for that matter), is to gain a unique perspective. A perspective that allows us to realize how small we are, how unimportant our conflicts are, how screwed up our appropriation of wealth is*, how fragile our world is, and most importantly that our Creator is much larger than us.

* – this is not a political statement by any means; it’s a remark with regard to how we all spend our resources, how we appropriate our wealth. For example, we (our society) are willing to spend billions of dollars on pornography each year to fill some empty, carnal pleasure. This wealth alone could easily provide clean drinking water to the entire world (maybe even food too). I just wish we as Americans would stop being so bent on our ‘freedoms’ that we are willing to stand by and watch unbelievable amounts of money wasted on detrimental and destroying practices (not to mention all the other things we waste resources on that zap our brains of cells). Is this truly being free anyway? I guess these are Pollyanish remarks, but I wish that we could use this wealth for valuable, useful reasons. We could have an occupied base on the moon and Mars, in addition to clean drinking water and food for the world (and one world currency, and no more war, and…just kidding) if we would have said ‘enough’ to pornography alone years ago (not to mention professional wrestling, reality TV, and Teletubbies, just to name a few).

Kristen



Yes, you read the title correctly. I am currently cameraless (well I do have my point-and-shoot available). However, it’s all for a good reason. My good friends over at Acadian Imaging (Natalie and Stephen Hebert) were shooting a wedding yesterday, and they needed an additional camera body to ensure capturing each once-in-a-lifetime (hopefully) event. Please take some time to check out their work…very impressive portraits! If you live in the Southeast Houston area, you’re silly not to give them a call for all your portrait needs (ok, that sounded a little like a cheesy infomercial…sorry Stephen and Nat).

Mono1       Mono2
Original Monochrome                            New Monochrome

I’m always trying to improve my imaging techniques, my craft. When I converted this image to monochrome earlier today, it just didn’t look right. I used the same method I have on other images posted here, but the resulting scene wasn’t quite what I wanted. I looked at the image more closely and realized it was too flat and the tones leaned too much towards red.

Therefore, I’ve created a new warm-toned monochrome developing technique that I’m really happy with thus far. It’s essentially an increased exposure with slightly more-neutral toning (some additional subtle manipulations as well). Some may not detect a noticeable difference, but I think (keyword) they’re quite a bit different. Please leave a comment letting me know which you like better (sorry for the small pics).

Cloverfield

I captured the above image early enough this morning that fine drops of dew were still clinging to these clover sprouts. A thick fog served as a perfect infinitely-sized soft box, providing wonderful, even lighting.

Btw, I apologize for my delinquency in updating this blog. I’m still considering myself in the warm-up phase. However, my intention has never been to update this only once a week. Balancing this with the rest of life is proving to be a challenge…persist I will however. Enjoy the rest of your weekend!

Lazy Saturday Morning


This is my excuse for not getting up early this morning to capture some images outside my house…pretty good excuse if you ask me!

Cloud-swept Moon

Unfortunately I had to leave work a little too late to take advantage of this evening’s amazing sunset over Houston.  The sky was swept with wonderful groupings of scattered clouds; and as our resident star soared to the horizon, it changed the hues of these clouds from a super-saturated orange to a pale purple.  All I could do was enjoy the show from the seat of my car (sometimes it’s simply better to take scenes in rather than capture them).  
 
However, these wonderful clouds hung around well after the fleeting sun set, providing an interesting subject backlit by the full moon.  The exposure above was 30 seconds, and the slight orange tint of the clouds is due to the light pollution of the sodium vapor street lamps in the area.

 

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